NEVER ALONE  

The story starts at ten past eight in the morning, in a dark entrance hall, with four people standing over a book that none of them owns.
  This is a digital book. For 8 ~ 14.
The Monster Keepers I · C · A · N · ! Book 4 of 5 · out now
It is looking at you. That is the whole of what it does.

Some monsters count on you being the only one.

Never Alone

The Case of the Log That Kept Writing

Book Four of The Monster Keepers. The story starts at ten past eight in the morning, in a dark entrance hall, with four people standing over a book that none of them owns.

Ages 10 and up 12 chapters A detective story that plays fair
1
Crew standing orders Two people, or it didn’t happen.
Exhibit A the thing that started it

The log that kept writing

Minutes · entrance hall · 08:10 filed by T. Rushton, in capitals, as always
TimeWhat was said Who was standing there

08:10 · nobody owns this book · four of us

08:12 · two people, or it didn’t happen ·

Nobody in the crew wrote the second line.

Nothing writes in a book at night. That part is invented, and the book says so on its own page. What isn’t invented is set out on four plain pages inside it — one before the story starts, one in the middle of it, one after it ends, and the last page of all.

12
Crew standing orders The time goes in the first column. Always the time.
The case and how it is meant to be read

It plays fair. You can be ahead of them.

Keep scrolling. The building doesn’t mind.

Never Alone is a detective story and is meant to be read as one. It plays fair: every clue the children use is on the page before they use it, and a reader who is paying attention can be ahead of them.

A girl in this book is missing for most of it. That part is invented. Out here, when somebody is missing it is a job for grown-ups and for the police, it starts straight away, and it is never a job for their friends.

The grown-ups in this book are real-sized on purpose. They turn up, they believe the children, they do the correct thing — and it is still not enough on its own, because there is one of them and a great many corridors.

A word that everybody says about you is not a fact about you. Whatever is going round, it is a thing people are saying. It is not a finding, and it is not you.

And nobody in this book gets through it on their own. From the book’s own real-life page

19
Crew standing orders Nobody photographs anything without Priya holding the ruler.
Why this one lands Book 4 · ages 10 and up · 12 chapters

A record, not a verdict

Three columns, and no fourth

The front page of the crew’s file has three columns — the time, the words, and who was standing there — and no column for what anybody is like.

What an adult can act on

Ms. Okonkwo, the school librarian, reads a report standing up outside her office: give me a time and give me the words. Before she does anything else with it, she speaks to the person it happened to first, so that he does not find out about it sideways.

Somebody has to hold the other end

Early in the book Sam says that a thing is not true because somebody saw it — it is true when a second person can hold the other end of it.

Four pages step out of the story

One before it starts, one inside it, one after it ends, and the last page of all. They are set apart in the type, they are plain, and they are meant to be read as themselves.

26
Crew standing orders Snacks are not minuted. Sam has appealed this twice.
The Keeper’s casebook Five books. Five letters.

Stand them in order and the spines spell it

I

I See YouBook 1

Out now. Book One of five, and the letter I.

C

Claim Your NameBook 2

Out now. Book Two, and the letter C.

A

Act NormalBook 3

Out now. Book Three, and the letter A.

N

Never AloneBook 4 · the one you are looking at

Book Four, and the letter N.

!

I Can!Book 5

Coming soon. Book Five, and the letter !.

Book FourTwelve chaptersAges 10 and up a novel by Timothy Helliwell
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What’s actually in it Book 4 · ages 10 and up

Twelve chapters and four plain pages

12

Chapters

A detective story that plays fair. Every clue the children use is on the page before they use it.

4

Pages that step out

One before the story starts, one inside it, one after it ends, and the last page of all. Set apart in the type, and plain.

3

Columns in the file

The time, the words, and who was standing there. There is no column for what anybody is like, and that is the point of it.

8

Questions at the back

For teachers and book groups, with no right answers. A group that ends up disagreeing has done the work.

31
Crew standing orders Give the grown-up a time and the words. They can act on a time and the words.
For the grown-up reading over a shoulder from the pages at the back of this book

Three fears, braided together

Our own research with young readers found the same three fears braided together, again and again.

“If I tell, I’m a snitch — and it will only get worse.”

“No one will believe me, and even if they do, nothing will happen.”

“Maybe it’s me. Maybe there’s something wrong with me.”

From A Note from Prof. CK Wong, JP, printed in full at the back of this book.

“A child in that bind is not being difficult or secretive. They have done the arithmetic and concluded that silence is the safest option available to them.”

“So if you are the parent who found out late, or the teacher who sensed something and did not see it happen — please put down the guilt. You were not failing to notice. You were on the wrong side of a wall the child built for reasons that made sense to them.”

“Which is why this is not a parenting manual, and never pretends to be. It is a story — an adventure, told from a child’s point of view, that never lectures.”

“Read it with your child if they will let you; both the reading and the letting are victories.”

Prof. CK Wong, JP is a Specialist in Psychiatry, Honorary Clinical Professor and former Chairman of the Department of Psychiatry at the Faculty of Medicine, The Chinese University of Hong Kong, and a Fellow of the Royal College of Psychiatrists. He created ICAN Practical Psychology, which this series is grounded in. The author, Timothy Helliwell, writes the story; the psychology under it is Prof. Wong’s.

Knowing when to reach for help is itself one of the strongest moves there is.
Prof. CK Wong, JP — creator of ICAN Practical Psychology.
38
Crew standing orders Priya reads everything upside down. This is not a party trick, it is a staffing decision.
A note for teachers and book groups eight questions, no right answers

Ask, and then wait

One of the questions from the back of the book

The front page of the crew’s file has three columns — the time, the words, and who was standing there — and no column for what anybody is like. Why do you think it is built that way?

Before you decide the short answers

The questions grown-ups actually ask

Do we have to have read the first three?

No. Never Alone stands on its own, and Sam will bring you up to speed early — mostly by getting something slightly wrong first and being corrected in capitals by Theo. If you would rather start at the beginning, Book 1 is I See You, and there is a link below.

Is it frightening?

It is a detective story with a monster in it, so it is tense the way a detective story is tense. It is not gory. The strange things the building does are strange rather than gruesome — and the book stops, on its own plain pages, to say out loud which parts are invented. Nothing writes in a book at night.

What are the four plain pages?

One before the story starts, one in the middle of it, one after it ends, and the last page of all. They are set apart in the type. The one inside the story sits between Chapter Six and Chapter Seven, at the hardest practical point in the book. The last page of all is the Help Page, and it lists real services, in a lot of countries.

What age is it for?

Ages 10 and up, twelve chapters. It is written to be read alone, aloud, or over a shoulder. Read it with your child if they will let you.

Does it teach, or does it just tell a story?

It tells a story. The method underneath it arrives sideways — from watching characters try things and get them wrong — and never from a box announcing what the lesson is. There is a separate section at the back, written for grown-ups, if you want the thinking set out plainly.

What if my child recognises too much of it?

Some children will recognise more of this book than they let on. Nothing in the questions at the back asks anybody to talk about their own experience in front of a group, and it is worth saying so out loud before you begin. If something real does surface, it belongs in a quiet conversation afterwards — and the last page of the book is where to go next.

52
Crew standing orders If the first grown-up doesn’t manage it, tell another one.

Nobody in this book is taken out of existence, and nobody can be. Every register in that building still has her name on it, and she is herself the whole way through. However loud a thing about you gets, it does not delete you. It cannot. There is no such thing. There is always another one.

Start with the free sample. Ten past eight in the morning, a dark entrance hall, and four people standing over a book that none of them owns.

The series, in your language English Traditional Chinese Simplified Chinese
The Monster Keepers · Book 4 · Never Alone · The Case of the Log That Kept Writing · a novel by Timothy Helliwell
Grounded in ICAN Practical Psychology, created by Prof. CK Wong, JP. If somebody is hurting your body, threatening you, taking your things, or making you frightened to walk down a corridor, that is not yours to sort out on your own — tell a trusted adult today. The Help Page at the back of this book lists real services, in a lot of countries, whose whole job is this. If you are in danger right now, call your local emergency number. ISBN 978-988-8171-67-5 · micancapital.com · © 2026 MICAN CAPITAL LIMITED